On Saturday I presented a paper at the 2014 Popular Culture Association/American Culture Association annual conference (on what ended up being quite a solid panel with my fellow tattoo-scholar friends Amelia Klem Osterud and Nick Schonberger and a sociologist Derek Roberts who we hadn’t met before but who is doing some interesting work).
It’s not the kind of paper that I would ever publish in a journal, but I thought I’d archive a slightly revised version of it here. I think I offer a useful critique of some of the recent editorial media pieces about tattooing as well as some helpful guidelines at the end for anyone authoring tattoo writing. I also didn’t get to present the entire paper because, well, perhaps I tend to ramble on a bit…so this is a way to get it all out there. In the process of doing research for this paper, I mined a significant amount of my personal history with tattooing, and that caused me to dredge up some amusing photos that documented my early years as a collector (and scholar).
Me getting my first sleeve finished in 1993. The artist is my art-school friend Forrest Curl (working at River City Tattoo in Austin, TX…a long way from Providence, RI, where he had started tattooing me). A couple days later he started the other sleeve and finished it within a few months in my apartment in Chicago.
So here’s the paper: Continue reading
Tracking the origins of tattoo-history myths is a favorite pastime of mine. So many abound and continually get perpetuated.
A recent thread on my personal Facebook page (posted to public so you can read it here) had a number of excellent scholars weigh in on the oft-cited (but never properly documented) assertion that “the church” or “the pope” banned tattooing (sometimes discussed as all tattooing and sometimes discussed as “pagan” tattooing) in the 8th century with a date of 787 and Pope Hadrian commonly cited. I promise a more detailed post about this soon, but a follow up to that thread today reminded me that I have some ready-to-go unpublished material from my dissertation, Tattooed Transculturites: Western Expatriates Among Amerindian and Pacific Islander Societies, 1500-1900 (University of Chicago, 2012), about what I call the “Cook Myth”–that modern Western tattooing has its roots in Captain James Cook and company’s visits to Polynesia in the late 18th century.
Sydney Parkinson’s classic illustration of a tattooed Maori from Cook’s first voyage
Polynesian roots for modern Western tattooing are patently untrue, and I spent some time tracing the origins of the myth in mid-20th-century secondary sources (mostly glossy popular publications that were then used as sketchy sources by certain late-20th-century academics).
So here you go…the Cook myth exposed, from my dissertation: Continue reading